In a world where harder, faster and more obnoxious is the order of the day Frederic Robinson deals in complex and nuanced music that displays a maturity of thought far beyond the young German’s years. Disciplined and focused, he stretches genres until the restrictions of tempo lose their meaning and the listener is free to simply experience music rather than categorise it. His intensely intricate sound design, instrumentation and arrangement places him closer to contemporary classical composers such as Steve Reich, Terry Riley or Philip Glass than the more typically accepted gurus of dance music.
For Frederic Robinson music is not some cynical fast-track to DJ work, transient fame or the faint praise of his peers. Despite having its roots in common dance music this is the exploration of sound and structure beyond the cheap, pyrotechnic tricks of clubland and into a much more intimate space of thought and emotion. Having trained as a classical violinist and now studying audio design in Switzerland Frederic is fixated with the meshing of the organic and the electronic, constantly pushing his instruments in new and unconventional ways to create textures that cannot be found in any off-the-shelf software. Those who remember the early DIY synthesiser-tinkering which gave birth to Aphex Twin’s uniquely haunting sound will recognise the same spirit of innovation in the work of Frederic Robinson.